Japan

Artist In Residence Kameoka (かめおか) Japan

“Kameoka City is surrounded by mountains and has a rich natural environment with rural scenery despite good access from Kyoto and Osaka. Beautiful green in the spring, autumn leaves in the fall, and the winter is surrounded by fog in Tamba. The Kameoka Fog Art Festival is fascinated by Kameoka as “Tokanaka” where you can meet such beautiful scenery of the four seasons, and together with many active artists, fosters the appeal of people and the local community.” Kameoka Kiri Art Cultivation

no-mu ’Micro Happening’ 2020

I was invited by artist Eikoh Tanaka to be part of the Artists in Residence Project “Micro Happening” at Artists’ Retreat no-mu, Kameoka, Japan.  

I spent 6 weeks from January 17th to February 27th experiencing the rich landscape of Kameoka. Falling in love with the mountains and fog, the rivers and pine trees, the rice and vegetable fields, the sound of the Sagano train line, the pickled daikon and turnips, soba noodles, tempura and onigiri, temples and shrines, shoji sliding doors, Japanese green tea, slippers and tatami, the peace and quiet and the wonderful community of Kameoka.

My senses continued to be awakened as I immersed myself in this new and fascinating culture documenting my explorations through field recordings, photography, film and print. Overwhelmed by the generosity of the people of Kameoka I gained a rich insight to this remarkable place, making connections with so many welcoming, open hearted people which inspired this new piece of work ‘22 Views of Kameoka’. A reflection and celebration of place and people of Kameoka. 

22 Views of Kameoka

Materials: Mini-prints made from rubber stamps printed on recycled card from consumables during my stay in Kameoka, washi from Arashiyama, and kraft card from Kyoto city.  Exhibited at Yugùe, Kyoto

22 Views of Kameoka - cafe Yùgue

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Thank you

Eikoh Tanaka, Kana Okanoya, Kouta Kameoka, Anna Namikawa, Elena Aframova, Julie Chovin, Alexandre Gailla, Akemi Shijyuku, Tomoko Tsukamoto, Yukari Yoshikawa, Yui Shimizu, Kotoe Shindo, Moegi Deguchi, Aki Makita, Sachiko Mochizuki, Cårrïe Ng, the chefs Hirotake Nagano and Yusaku Nishikawa, Hikaru Toyoda, Sachiko Toyoda, Julius Loewe, Kaori Yamane, Samuel Zeid, Felix Krienke, Alex Kerr, Hiroya Kawakami, Equili Brista musicians: Mitsugi Deguchi, Yasawa san, Yano san, Ohba Mitsuru, Azusa Okamoto, Keiichi Yoshikawa and Watanabe san.

Omoya house, Social Cuisine Sunday Gatherings at Omoya, Kiri (Fog) Festival, Kameoka Galleria events, festivals and Japanese lessons, Cafe Mimi, Coffee stand blackie, H District, Kamejin film, Saigen Temple, Kinku Temple, Kameoka Temples and Shrines, Hozugawa River, Kameoka Mountains, Sea of Clouds Terrace, Mayawaki bookshop, Rice and Vegetable fields, Oi River, Sagano train line, Namikawa station, White Base Laundromat, Omoya bicycles, Keizankaku Onsen...

Special thanks to Eiichi Shimasaki for putting me in touch with no-mu residency and also for organising the exhibition and gig at cafe Yùgue. Thank you to Dai Chan, at Cafe Yùgue, Kyoto for creating such a heart warming space and looking after everyone on the night. And Horoshiko for putting me up for the night and introducing me to the beautiful misty mountains of Ohara!

Cafe Yùgue

Call for Entries - AIMPE 2017

Two years ago when I was searching barens at Intaglio Printmakers in London, I stumbled across a leaflet with a call out for entries for Awagami International Miniature Print Exhibition held in Japan. I was in the early stages of my woodblock project focusing on mini woodblock prints of Japanese netsuke. AIMPE sounded like the perfect place to submit my prints but I wasn’t ready. And the following year I still wasn't ready.

This year I'm ready! : ))

In the last few weeks I have been working on ideas for a new woodblock print for the exhibition. Last week I submitted my application and this morning I posted two mini woodblock prints to Japan! 

The mini prints will be revealed once the exhibition launches in October. 

"Awagami Factory is a brand of Japanese washi papers produced solely in Tokushima, Japan. Awagami operates on 8 generations of family knowledge and skill focusing on quality and refinement within this world-heritage craft.” Awagami

Netsuke - Tanuki

Japan - Earth's Enchanted Islands

In June, the BBC released a three part documentary focusing on the three islands of Japan: Honshu, The Southwest Islands and Hokkaido.

Part one follows the relationship between people and wildlife living in close proximity to each other. From the brief and magical blossoming cherry trees in Tokyo city to the wild mountains of Hida inhabited by black bears hunting insects under rocks. Macaque monkeys bath in volcanic springs and forage fruit from local farms. Japanese tree frogs lay their eggs in trees above the rice paddy fields. Fresh water carp suck up leftovers from Kabata kitchens. Fireflies light up the summer evenings. Cow demons live in the ancient forests enchanted with Kudama tree spirits. Sacred Sika deer head from the hills to a Buddhist temple in the town of Nara and bow to humans in return for deer biscuits. Earthquakes and volcanoes erupt. Luminescent fire fly squid are swept up on tsunami battered coastlines and streetwise tanuki (racoon dogs) adapt to the city living by the edge of a busy railway line. These cheeky charmers are seen to bring good luck and people accept their mischievous neighbours.

Tanuki

I had never heard of a tanuki before I explored the world of Japanese netsuke and still had no idea what a real one looked like while I drew the tanuki netsuke at the British Museum. To me this tanuki netsuke is a cross between a bear and a pig rather than a racoon dog.

Tanuki sketches

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Tanuki Woodblock Carving

I'm going against my original plan to keep the netsuki prints small and have enlarged the tanuki sketch in Photoshop. The original ivory netuske was 3.9cm high, my original sketch is 5cm high and the final woodblock carving is 11.5 cm high.

Making the woodblock carving bigger does not stop me making mistakes. I really need to slow down. An important part of the process which I have yet to crack. I've accidentally cut into the outline of the tanuki's arm. I put the tiny outline of wood to the side and look for some glue. Distracted by a drawer full of chaos I forget about the search for glue and start clearing out the clutter. Feeling pleased with my now orderly drawer of zen, I proceed to sweep all the shavings off the table in to a bag forgetting about the little chunk of wood now lost in the woodpile shavings.

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Focus

Another important part of the process - focus. Something which eluded me while transferring the image from photoshop to the block. The Tanuki is facing in the opposite direction to the original image. Which is fine if I had planned this but I didn't! So next time I need to slow down and focus.