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Artist In Residence Kameoka (かめおか) Japan

“Kameoka City is surrounded by mountains and has a rich natural environment with rural scenery despite good access from Kyoto and Osaka. Beautiful green in the spring, autumn leaves in the fall, and the winter is surrounded by fog in Tamba. The Kameoka Fog Art Festival is fascinated by Kameoka as “Tokanaka” where you can meet such beautiful scenery of the four seasons, and together with many active artists, fosters the appeal of people and the local community.” Kameoka Kiri Art Cultivation

no-mu ’Micro Happening’ 2020

I was invited by artist Eikoh Tanaka to be part of the Artists in Residence Project “Micro Happening” at Artists’ Retreat no-mu, Kameoka, Japan.  

I spent 6 weeks from January 17th to February 27th experiencing the rich landscape of Kameoka. Falling in love with the mountains and fog, the rivers and pine trees, the rice and vegetable fields, the sound of the Sagano train line, the pickled daikon and turnips, soba noodles, tempura and onigiri, temples and shrines, shoji sliding doors, Japanese green tea, slippers and tatami, the peace and quiet and the wonderful community of Kameoka.

My senses continued to be awakened as I immersed myself in this new and fascinating culture documenting my explorations through field recordings, photography, film and print. Overwhelmed by the generosity of the people of Kameoka I gained a rich insight to this remarkable place, making connections with so many welcoming, open hearted people which inspired this new piece of work ‘22 Views of Kameoka’. A reflection and celebration of place and people of Kameoka. 

22 Views of Kameoka

Materials: Mini-prints made from rubber stamps printed on recycled card from consumables during my stay in Kameoka, washi from Arashiyama, and kraft card from Kyoto city.  Exhibited at Yugùe, Kyoto

22 Views of Kameoka - cafe Yùgue

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Thank you

Eikoh Tanaka, Kana Okanoya, Kouta Kameoka, Anna Namikawa, Elena Aframova, Julie Chovin, Alexandre Gailla, Akemi Shijyuku, Tomoko Tsukamoto, Yukari Yoshikawa, Yui Shimizu, Kotoe Shindo, Moegi Deguchi, Aki Makita, Sachiko Mochizuki, Cårrïe Ng, the chefs Hirotake Nagano and Yusaku Nishikawa, Hikaru Toyoda, Sachiko Toyoda, Julius Loewe, Kaori Yamane, Samuel Zeid, Felix Krienke, Alex Kerr, Hiroya Kawakami, Equili Brista musicians: Mitsugi Deguchi, Yasawa san, Yano san, Ohba Mitsuru, Azusa Okamoto, Keiichi Yoshikawa and Watanabe san.

Omoya house, Social Cuisine Sunday Gatherings at Omoya, Kiri (Fog) Festival, Kameoka Galleria events, festivals and Japanese lessons, Cafe Mimi, Coffee stand blackie, H District, Kamejin film, Saigen Temple, Kinku Temple, Kameoka Temples and Shrines, Hozugawa River, Kameoka Mountains, Sea of Clouds Terrace, Mayawaki bookshop, Rice and Vegetable fields, Oi River, Sagano train line, Namikawa station, White Base Laundromat, Omoya bicycles, Keizankaku Onsen...

Special thanks to Eiichi Shimasaki for putting me in touch with no-mu residency and also for organising the exhibition and gig at cafe Yùgue. Thank you to Dai Chan, at Cafe Yùgue, Kyoto for creating such a heart warming space and looking after everyone on the night. And Horoshiko for putting me up for the night and introducing me to the beautiful misty mountains of Ohara!

Cafe Yùgue

From January 17th to February 27th 2020, I experienced the rich landscape of Kameoka. I fell in love with the mountains and fog, the rivers and pine trees, the rice and vegetable fields, the sound of the Sagano train line, the pickled daikon and turnips, soba noodles, tempura and onigiri, temples and shrines, shoji sliding doors, Japanese green tea, slippers and tatami, the peace and quiet and the wonderful community of Kameoka. I arrived at Omoya house, Kameoka, with very little art materials. Just my camera, laptop and a small amount of printing tools. Omoya kitchen became my studio for research as did the landscape of Kameoka. I used film, photography and field recordings to document my experience resulting in this 12 minute film, ‘Kameoka Reflections’. The film is a moving collage of landscape and objects layered with field recordings from outdoor journeys around Kameoka by train, bike and foot and an indoor journey of Omoya kitchen. Listening, observing and recording sound, shape and colour in an unfamiliar place was a fascinating experience. Whether natural, digital or mechanical, by paying attention, the senses were open to the newness of sound and place. With the senses heightened, each day was rich and alive. I immersed myself in a completely different culture meeting the local community, navigating new landscapes and language, deciphering symbols and signs, adjusting to different rules and customs, navigating new pathways, unravelling complex systems and learning how to integrate myself and make a home in an unfamiliar landscape. What I would usually take for granted as a simple task in my own home became enormously complex and confusing and required patience and acceptance of my own limitations. Over time and with perseverance I would begin to unravel mysteries and find solutions and make connections. After a while as things became more familiar and I adjusted to the sounds, the shapes and the colours in this new place, the wonderment would dissolve into acceptance. Recording these moments became a kind of remembrance of the ordinary and yet quite extraordinary every day experiences. To capture the essence of this wonderment I played with the recordings, altering the speed, layering the landscapes, enhancing the colours, holding the experience of wonder alive for a little bit longer. Thank you so much to the community of Kameoka and no-mu AIR (artists in residence) who gave me a rich and colourful insight and experience of Kameoka.